![]() ![]() ![]() This helps to maintain her innocence not just in relation to the crime, but also as a young girl who is suffering through the actions of her step-mother. In a stark contrast to her step-mother, Lola is never clothed in anything revealing or sexy. There are also other interesting costuming choices in the film. Phyllis is also typically costumed in clothing that might be considered a bit racy, and this too, serves as an obvious symbol of her sexuality. Of course, she realizes this and uses it to her advantage, not just in this scene, but throughout the entirety of the film. Walter immediately notices the anklet, and is obviously excited by it, and more so, by Phyllis herself. The anklet serves as a symbol of her overt sexuality, which is a definitive characteristic of a femme fatale. One of the next scenes is a close-up shot of Phyllis’ ankle adorned by a gold bracelet. Here, it is understood that Phyllis is alluring and sexual, and she also has a sort of troubling air about her. When she first appears on screen she is clothed in only a towel, which immediately captures the attention of not only Walter, but the viewers. The element of costuming is used most effectively to portray Phyllis as the classic femme fatale.
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